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The Stratemeyer Corporation was still run by Harriet Adams, who was then in her eighties. Frank Price, then the President of Television at Universal, was interested, and the network encouraged Arlene and Joyce to get the Nancy Drew rights as well. “The pitch was it was two brothers, with a Butch Cassidy And The Sundance Kid kind of repartee between them,” Brotman says. They first tried to sell The Hardy Boys as a feature to Paramount, then Arlene and Joyce went to Universal. Arlene and Joyce discovered the rights to Nancy Drew weren’t available, but the rights to The Hardy Boys were. Stratemeyer’s daughter, Harriet Adams, wrote many of the Nancy Drew novels under the name Carolyn Keene, and she also wrote Hardy Boys books under the name Franklin W. The Hardy Boys and Nancy Drew characters were created by Edward Stratemeyer. For those involved in the show, there are also a lot of great memories looking back, which they were more than happy to share with us in this tribute to The Hardy Boys/Nancy Drew Mysteries. In the short time it was on, the show created a lot of fun memories for young people at the end of the decade, and one episode also left its mark emotionally. The show was never a monster hit, but it did very well in its timeslot, and ABC had a tough time replacing it after it was cancelled in early 1979. The Hardy Boys/Nancy Drew Mysteries was a perfect show for ABC’s ‘family hour’, which was on Sunday nights at 7:00 pm in the US, and a lot of parents enjoyed watching with their kids. a lot of young girls loved the show because it co-starred Shaun Cassidy, the squeaky-clean teen idol that continued his brother David’s legacy of cuteness, but you didn’t have to be a love-sick teenager to enjoy it.
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theaters.First aired in early 1977, The Hardy Boys/Nancy Drew Mysteries, based on the classic young adult novels, has a fondly-remembered place in pop culture nostalgia today. “Bob’s Burgers: The Movie” opens May 27 in U.S.
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Over 12 seasons, it has included a Pride parade, a lengthy list of LGBTQ guest stars and recurring characters - including sex worker Marshmallow (David Herman) and limo driver Nat Kinkle (Jillian Bell) - and plenty of queer coding.
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Since it began airing on Fox in 2011, the offbeat series has been one of the most LGBTQ-friendly shows on mainstream television.
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While Bob and his optimistic, wine-guzzling wife, Linda, try to figure out how to run things without an entrance, their quirky kids work behind the scenes to solve a mystery that could decide the fate of the family business. In “Bob’s Burgers: The Movie,” it’s high season for the mom-and-pop burger joint, but, as usual, something disastrous stands in the way of commercial success: a giant sinkhole that opens up right in front of the restaurant. Just after the final season of the beloved animated series “Bob’s Burgers” comes to a close on May 22, fans will be able to see the Belchers in their feature film debut. When it’s all said and done, Noé’s abbreviated new offering feels like something between Fellini’s “8 ½” and a sexploitation horror film from the 1970s.
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That sets the stage for a derivative film packed with allusions to works by directors like Jean-Luc Godard, Rainer Werner Fassbinder and Federico Fellini, which climaxes as the fictional shoot descends into chaos and psychedelic visuals. When the film opens, Dalle is sharing a mostly lighthearted conversation with her leading lady, Charlotte Gainsbourg, who also plays herself, about their exploitive experiences working with male directors. The mockumentary features French femme fatale Béatrice Dalle, playing herself, as a first-time director shooting a film about medieval witch hunts. The film began as an assignment to make a 15-minute commercial for Yves Saint Laurent and ended up as a 50-minute meditation on directing, feminism and genre.
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Director Gaspar Noé (“Irreversible”) makes dizzying, sexy, avant-garde films, and the Cannes Queer Palm nominee “Lux Æterna” is no different.